Prominently even as they are unessential to a reading of the novel. And yet, the politics of identity figure very
Violence, and poverty are facts of life in every ghetto slum, whether inĪmerica or Calcutta. In which the Heke family lives, and the actual plot and despair of the mainĬharacters, are not exclusive to dispossessed ethnic peoples drunkenness, The film's visual treatment of the housing project The novelĪnd film are exceptional, however, in that the events themselves are not soĬontextualized that they must be seen only in terms of Maori identity in Socio-political context of a once-colonized land, New Zealand. Once Were Warriors, Alan Duff's sociological epic of Maori despair, is - besides powerful, visceral - almost a grab-bag of postcoloniality it touches on issues of translation, gender and power roles, traditional versus modern culture, media influence on culture,Ĭonflict of ideology, and, of course, is rooted in a current
Postcoloniality in Text and Film: Once Were Warriors Gregory Gipson '98, English 27, 1997 OL19758998W Page_number_confidence 93.89 Pages 218 Ppi 300 Republisher_date 20200103141634 Republisher_operator Republisher_time 412 Scandate 20191225225620 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9780702228292 Tts_version 3.Postcoloniality in Text and Film: Once Were Warriors Access-restricted-item true Addeddate 06:55:38 Boxid IA1754721 Camera USB PTP Class Camera Collection_set printdisabled External-identifier
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